RS Bonus Blog: A Domme At The Club, Out Now ^_^


Yes! I’m pleased to say that the second story in my Smexxy Snippets series is out today, lovingly titled: ‘A Domme At The Club.’

SS02 - Domme

The pet must serve his mistress. Her pleasure is all.

For some, the idea of sexual servitude is a source of confusion and derision. For others, it is the absolute peak of their sexual desires. The act of submission brings pleasure and fulfilment to both the dominant and the submissive in a way few others can.

In this tale, watch a powerful scene between The Mistress and the Pet as they test each others’ boundaries and bring about release in a manner that enlivens them both.

The Mistress, a cheeky, light-hearted woman puts her pet through his paces, with floggers, canes and whips before teasing him ruthlessly with orgasm denial. When the moment final comes for release there is but one thing that matters: does Pet deserve such kind treatment?

Amazon US |  Amazon UK  |  Smashwords  |  Barnes & Noble

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IY: Mah Plans 18/01/16


Feels like ages since I wrote one of these. Still, nice to be back and again and return to normal. I have been busy, even though there hasn’t been a set of goals up: my new way of working in tandem with Raven seems to be working out nicely (more on that in a bit). But, just like Raven had to break it all down a bit and look at what she actually expects of herself this year, I need to do the same.

So here we go!

This Year I Will . . .

Here are my goals for the year, broken into their component parts. As ever, changes in red, new items will be in green and completed tasks will be struck out.

  • Release ‘On A Knife Point’ in paperback and digital forms and thus complete the ‘Saar’s Legacy’ trilogy
    • Complete deep edits
    • Send through beta readers
    • Complete beta edits
    • Final edits
    • Commission cover design
    • Format for all formats
      • Smashwords
      • Amazon
      • Createspace
    • List as pre order
    • Release
  • S1E4 Resistence (Diavian)dComplete the release of ‘Dead And Alive, Season One’
    • Release Episode Four (Resistance) on February 15
      • Complete an additional proofread on formatted document and upload
    • Release Episode Five (Answers) on April 15
      • Complete deep edits
        • Format
        • Amazon
        • Smashwords
      • List as pre order
      • Release
    • Release Episode Six (Crossroads) on June 15
      • Complete deep edits
      • Format
        • Amazon
        • Smashwords
      • List as pre order
      • Release
  • Complete draft of ‘Dead And Alive, Season Two’
    • Write parts 1-9 (min 5k words each part)
  • Submit ‘Clash of the Animal Kings’ to agents/small presses/open submission calls
    • Rewrite and edits
    • Beta readers
    • Further edits
    • Seek suitable submission opportunities
      • Agents
      • Small presses
      • Open submission calls
    • Submit
  • Outline plans for my traditional fantasy serial (I suppose it’s Wheel of Time-esque), especially to figure out how many novels it will take to tell the tale and how I would release them if I chose to start writing in 2017.
  • Outline plans for a new series, following/featuring characters from ‘Dead And Alive’

generic calendar with mountains from OpenClipArtUgh. So, Targets for January 2016?

  • Complete an additional proof on Episode Four (Resistance) and upload
  • Get Episode Five (Answers) ready for release and listed as a pre order
  • Draft the next three episodes of Dead And Alive, Season Two

Activities This Fortnight

Actually, this list is exactly as above as there are only two weeks left of the month anyway. Completion of this list will take us into February.

Thoughts…

thinking boy, black and white, with questions marks around his head

Credit: ryanlerch at OpenClipArt

Seeing everything I need to do laid out like that is a bit startling. I forget just how many different roles are involved when it comes to releasing one title. This way, however, I think it’s manageable.

Raven and I have been doing small amounts every day, working in alternating 15 minute blocks of time. It’s fascinating how much we can get done this way and it means that neither of us is left ‘waiting for a turn.’ Sure, it’s a bit slower, but it does mean that both of us can work towards what we want to do without huge gaps in between. That, I feel, was the biggest challenge last year, especially for DSB. So far, this is much better.

Let’s see if we can keep it up. :p

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IY: Fantasy Creatures – Werewolves – Sins of the Flesh


Wrapping up my posts about werewolves (man, this took AGES!) I’ll be continuing the tradition of offering up a little piece of writing. I have no idea where this came from or what the hell was in my head when I wrote it (I was watching over the Sprogs while they had bath when I wrote this) but hey . . . I quite like it.

It needs some work—this is the ‘brain vomit’ version, but following some positive feedback from my buddies at the PWG, I’ll be working on it a bit more in coming weeks.

Enjoy!

“Forgive me father, for I have sinned. More than ten months have passed since my last confession.”

Father Oliver Bowman sat straighter behind the textured screen between himself and the whispering figure on the other side. “I’m glad you’ve come. Please use this time to speak with the Lord, that he may hear the full extent of your sin.”

The words rolled off his tongue now; so easy, day after day. Week after week. Month after long, painful month.
If only his own sins could be so easily forgiven.

The shape on the other side of the screen shifted slightly. He seemed to be thinking. Deeply.

“Don’t be nervous—you’ve taken the greatest, most important step in coming here. Now unburden yourself and seek absolution.”

The stranger sighed. The heavy exhalation sent a gust of onion-scented air through the divide.

Oliver wrinkled his nose, tried not to think about who sat on the other side. And yet, with each puff of air, each whispered word, the image became clearer. He had such a distinctive scent and voice, after all.

Bruce Sammal.

Oliver gazed at the open bible spread across his lap. He touched the golden lettering, almost worn away in places. “I’ll read you a piece of scripture. Perhaps that will help.” He choose a passage from the gospel of John, one discussing the necessity of confession and how every man, woman and child was tainted by sin.

Beyond the divide, Bruce wept. He sniffed and, at last, spoke. “Father, I’ve . . . touched people.”

Oliver allowed the silence to stretch.

“Young people. Very young. Children.”

A lump filled the back of Oliver’s throat. He fumbled in his cassock for the figure of Christ dangling from a slender chain about his neck. “Go on, son.”

Bruce sighed again. This time, instead of pain, the sound held wistful introspection. “I work in a school—I see them every day—I—I mean they—I know it’s wrong. But they’re my special friends. I love them. How can it be wrong?”

Oliver gritted his teeth. His sense of duty battled with the fury tingling across his palms.

“There are so many.” Bruce’s voice dropped lower. “This week, at least four. Before that, more. And I know it’s wrong. I know. But I can’t help myself . . . I’m like an animal.”

The bible slipped off Oliver’s lap. It hit the floor face down with a loud slap. He left it there, breathing heavily as he understood. He knew what had to come next.

Bruce continued as if he hadn’t heard, his voice now breaking. “I just want to feel whole again. To be clean.”

With effort, Oliver cleared his throat. “Then begin with an Act of Contrition. Then I shall give you the appropriate penance.”

The phrase felt slick on his tongue. Appropriate penance? He knew what the appropriate penance was and the mere thought of it made his stomach turn. But he had a job to do.

Eyes closed, head resting against the back of the confessional, Oliver listened to Bruce speak his prayer of sorrow knowing that it would never be enough.

***

Night fell early. A full moon hung low in a cloudless sky, leaching colour from the street. Trees, cars and buildings bore a silver edge, beautiful yet ghostly in the darkness.

Oliver Bowman crouched low in the bushes, hidden by shadows thrown by the ugly block of flats on his right.

He listened to the song of the city; rumbling cars, distance voices and scuffling nightlife. So many souls, so much life . . .

A woman with a Jack Russell on a long lead walked by, three feet from his hiding place. She didn’t see him, but the dog growled low in his tiny throat and strained to get at him, angered and confused by his presence.

He glared at the creature until it backed down, scurrying closer to his mistress with his short tail tucked between his legs.

Though Oliver hated to frighten animals, he knew it was best. No good would come of him being discovered tonight.

He hated this part of the city. The stench of it slammed his nose and set all his senses tingling; like the smell of human souls rotting. Anguish and despair made tangible.

He thought of his sister as he sat in the darkness. The sadness in her eyes when he told her of the work he had planned that night.
God’s work.

She didn’t agree. She never did. Yet, she pulled him close and pressed a gentle kiss to his cheek. “Tonight?” She glanced out the window at the blue-black sky.

“Tonight.”

Her features slackened. Understanding dawned and sucked the colour from her face. “Haven’t you been through enough?”

“The Lord tests my faith. I mustn’t falter.”

“You won’t need dinner, then?”

“No.”

She stepped back from him, building a three foot chasm between them. “I won’t wait up.”

Oliver shook his head to clear the memory. Sure, Barbara never complained, but their relationship had become strained over the last ten years. Tense. Full of awkward silences.

But she never complained. Just prayed.

A figure stepped through the communal front door of the flat across the street. The familiar scent of onions spiked into the crisp, night air.

Oliver stood. Shook himself. Stalked after Bruce.

Though he hated to admit it, the chase excited him. The physical act of chasing down sin thrilled him in a way that made his mouth water.

His nostrils flared at the stink of corruption and wrong-doing. It seemed to fill the air with tactile shadows that screamed with the voices of a dozen children.

As he moved, Oliver began his own confession.

Forgive me father, for I am about to sin.

Oliver thought the well-rehearsed words as he crept closer, slowly closing the distance between himself and Bruce.

It has been 28 days since my last confession.

Bruce stopped outside an old hall on the back of a working men’s club. Gleeful shrieks from inside told Oliver this must be youth club night.

Closer still. Every muscle tensed. Ready to spring.

I have hunted . . .

Bruce cast an anxious glance over his shoulder, scratching the back of his neck. His shoulders hiked high towards his ears, every limb tight with tension.

. . . I have tracked . . .

A golden rectangle of light illuminated the ground as Bruce pushed at the door.

. . .And I have used the gift you gave me for one foul purpose.

By some bizarre fluke—or the grace of God?—the children within chose that moment to crank up their music.

Oliver sprang from the shadows, closing the last few feet between himself and his prey.

Bruce screamed.

While the preppy, synthesised tones of Justin Bieber filled the night, Oliver opened his mouth. His long, haunting howl filled the air and Bruce cowered in the dirt.

Father, I have killed.

Oliver bit down on Bruce’s tender throat. The stink of onions made his eyes water.

. . . I have maimed . . .

Blood pooled in his mouth with a thick lump of hot, savoury flesh. He swallowed and savoured the taste of sin as it passed over his long, pink tongue.

. . . I have eaten human flesh . . .

Though Bruce’s body continued to twitch and gurgle, his mind was already dead.

. . . Father I have committed murder, knowingly and willingly. I beg your forgiveness.

Oliver dragged the floppy sack of meat away from the hall and into the privacy of an alley at the back.

There, behind a pair of huge black bins, Oliver ate. And prayed.

***

The following morning Oliver woke to Barbara’s gentle hands on his face.

He lay in the garden, naked and shivering, the metallic tang of human flesh still clinging to his teeth.

She said nothing, merely handed him a coat and a wet towel.
He took both with a nod of thanks.

“Is it done?” she whispered.

“Yes. For now.”

“But what about next month?”

Oliver sighed. “There will be another. The Lord always sends me another.”

Aaaaaaand that’s that! Hope you enjoyed it. Next time I’ll be chatting vampires.

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RS: I Haz Planz 11/01/16


Well . . . new year, new start, lots of lovely little jobs to be getting on with. Strange, the first week of the new year always seems to be a floater for me: I drift without these posts. Dunno what the hell I’ll do come May. o.O

Aah well. Meantime:

This Year I Will

Just like before completed tasks struck out, changes in red and new items in green. Forgive the length of this list, but for my own mind, I’ve decided to break all the items into their component parts. That will stop me telling myself that I don’t have enough to do (!) and make sure that, at each stage, I’m thinking carefully about what each task involves.

  • Complete the Slippers & Chains series in full which includes:
    • Editing ‘Slippers & Chains: Picking Out Curtains’
    • Formatting ‘Slippers & Chains: Picking Out Curtains’
    • Drafting ‘Slippers & Chains: Number Four’ (I suppose I’ll also have to name it
    • Editing ‘Slippers & Chains: Number Four’
    • Formatting ‘Slippers & Chains: Number Four’
  • Release the first ten Smexxy Snippets
    • ‘In The Stationery Cupboard’
      • Draft
      • Edit
      • Format & release
    • ‘A Domme At The Club’
      • Draft
      • Edit
      • Format
      • Release
    • The Back Seat of My Sister’s Car’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘Shh, The Kids Are Sleeping!’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘In The Back Row of the Cinema’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘Guess Who’s Coming For Dinner’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘Not Another Blind Date’
      • Draft
      • Edit
      • Format & release
    • ‘It’s To Share’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘So . . . I Bought A New Toy’
      • Draft
      • Edit
      • Format & list
      • Release
    • ‘Because Magic Is Sexy’
      • Draft
      • Edit
      • Format & list
      • Release
  • Plan some type of series/serial that I’ll enjoy writing for the foreseeable future

So, Targets For January 2016

I’m taking it gently this year. None of this getting my thong all twisted up because there’s too much to do. No more! — she says.
*sigh* I mean it, and in light of that, let’s take a look at what I should be doing this month to stay on track.

  1. Ensure the release of my second Smexxy Snippet (‘A Domme At The Club‘) releases as planned on January 22 2016 on both Amazon and Smashwords
  2. Draft the next two Smexxy Snippets
    1. ‘The Back Seat of My Sister’s Car’
    2. ‘Shh, The Kids Are Sleeping!’

Activities For This Fortnight

Easy! Right? Heh, we’ll see. So, given that there are only three weeks of the month left, this is how I’m going to spend this first fortnight:

  1. Finish drafting ‘The Back Seat of My Sister’s Car’
  2. Do all background admin checks on ‘A Domme At The Club’ to be sure there’s nothing left hanging
  3. Complete half the draft of ‘Shh, The Kids Are Sleeping!’

Thoughts . . .

Right. Okay. I have a plan now. No more drifting in the wind. Time to get back to work. See you all in a fortnight! :-*

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RS: The ‘D/s’ In #BDSM – Part Five, *sigh* Fifty Shades of Grey


I suppose it would be kind to leave a warning here before you start. Many, if not all, of the links in this series of posts are totally NSFW. If you want to have a look, do, by all means, but don’t be surprised if you find naked boy bits at the other end . . . or girl bits.
Happy? Let’s go.

line break, swirling graphics, from openclipart

It had to come. Those books and that relationship between those people. It has to be covered if we’re talking about BDSM and D/s relationships.

So . . . Fifty Shades of Grey. Given that I write erotica, know a lot of people in the kink scene and have strong views myself, it’s no surprise that I’ve talked a great deal about the books, the film and my thoughts on both. If you’re new to the blog, or just need a refresher, you can find some of those thoughts here, here and here.

For those of you living under a rock or somewhere equally remote, Fifty Shades of Grey and the two three books after, follow Anastasia Steele, a university graduate who meets super rich, super arrogant (but obviously super hot and desirable) Christian Grey. He pursues her relentlessly across several weeks (months? Can’t even remember now) until she agrees to a D/s relationship with him. Madness ensues.

Now . . . I don’t have enough time to talk about all of my issues with the way BDSM is portrayed in these books, so I’ll give you my top three.

Three: BDSM Requires Pen And Paper Contracts And Legalese

Really? I mean seriously? Sure, in Christian Grey’s situation, he has a reputation and public image to uphold, but would any other relationship begin with one party drawing up an agreement of what is expected of the other? And expect them to sign it and treat it legally binding? I sure as hell wouldn’t and I don’t believe many others would either. Not only that, but from what I recall—and I may be mis-remembering, so I’ll write this with care—there were no items in that contract regarding Christian’s behaviour, just what he required of Ana. Things like looking after her body and eating healthy aren’t unreasonable—everyone wants that for their significant other—but the way he attempts to micro-manage other aspects of her life (that didn’t even appear in the contract) rub me up the wrong way.

BDSM and any facet of it, is an agreement of mutual trust and respect. It doesn’t need contracts. It needs communication and a genuine desire to be with another person and explore physical, emotional and spiritual experiences with them that you might not otherwise find in a vanilla relationship.

Two: BDSM Is For Broken People

Christian Grey was abused as a child. He grew up feeling broken and bad. He relieves himself through hurting/controlling others and that’s just what he is: he needs to do it.
-_-

I won’t lie; there are people with horrific experiences in their pasts who enjoy the BDSM lifestyle. There are people who have been beaten, raped, controlled to the point that they lose their own personalities and abilities to make decisions. Yes, I acknowledge that. And for these people, perhaps BDSM is a way through which they work through those issues and come to terms with them. But (!) there are also people with perfectly happy childhoods behind them, no history of abuse (physical or emotional), no history of anything that might require therapy.

My issue with these books is that they utterly neglect to make clear the fact that Christian Grey and his personal demons are not the norm.

One: It’s Okay To Be A Dick Because You’re ‘Dominant’

This is my biggest one. If this book hadn’t been labelled as romance, there is not a single person on earth (I believe) who would have called Christian’s behaviour ‘romantic.’ If you strip away the hype and the fabulous PR job surrounding the (good-looking, super rich) character, you find a manipulative, controlling, sociopath preying on a naive and vulnerable young woman.

He showers her with gifts she finds difficult to refuse, he stalks her, he inserts himself into her life so firmly that she has little space for existing friends or family. He gradually coerces her into trying things she explicitly told him she had no desire to try then makes her feel guilty for not liking it. He does this all while painting a picture of himself as wounded and vulnerable which appeals so much to Ana’s gentle, loving nature that she just can’t get away without feeling awful. After all, who wants to dump someone who’s in such obvious pain?

line break, swirling graphics, from openclipart

In short, I dislike these books because of how they portray BDSM.

However—and this is incredibly important—I don’t believe EL James ever intended that her books represent anything. I believe she wrote the story she wanted to tell and that she got lucky in that highly fickle sweepstake us author-types call publishing. There are thousands, if not millions of books that inaccurately portray all sorts of lifestyles, habits, cultures, religions and historical events. They just have less publicity than these ones.

It’s important to remember that the Fifty Shades trilogy is a story for entertainment and should be read (and enjoyed?) with a pinch bucket-full of salt.

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