IY: Mah Plans 21/09/15


I’ve got half a week off coming up. DSB has a LARP which will take me away for the latter part of the working week and the whole weekend. Wonder how I’ll do before then? First, let’s look back.

Actions Last Week

~Read the next section of ‘Dead And Alive Episode Two’ at PWGchecking off feedback
Yes. And . . . I dunno. I’m upset. No, not upset—that sounds wrong—frustrated. Let me clarify at once that it’s not the critique that was the problem. As ever, the group was excellent and very, very helpful. Problem is, I was mega proud of what I’d managed to achieve in my edits and honestly felt that I’d done better. And I had . . . however, there is still work to be done and I’ve no idea now if I can do it.

~Start Deep edits on ‘Dead And Alive: Episode Three’
Yeeees. I’m only a page in, but I have started. I moved ahead when ‘Episode Two’ started to get to me and I needed a break from Michael’s trauma. Now I’m working on Kailah’s trauma instead and I’ve discovered an entire section that needs removing and replacing with something utterly different. -_- Who’d choose to be a writer, eh?

~Work through x5 chapters of beta comments
Oh, my god, yes, something POSITIVE! Yes. I’ve actually done seven (sneaked in a couple more this afternoon) but the positive part isn’t the quantity, but the quality of the changes. Lisa’s comments have been SO helpful and SO on the mark that I know exactly what I need to tweak and where. The entire first section is shining brighter than I’ve ever managed at this stage of editing and I’m so pleased with the result. It actually helps take the edge of ‘Dead and Alive’ and the horror that is ‘Episode Two.’

Activities For This Week

  • Beat ‘Dead And Alive: Episode Two’ and then . . . do an Elsa
  • Work through x5 chapters of beta comments
  • Let DSB enjoy the LARP

Thoughts…

purple monster from openclipart

Credit: keriann3
I’m calling this guy: Self Doubt

Regards the above and my worry over ‘Episode Two’: this is just the regular appearance of my good friends Self Doubt and Panic (I should name those monsters, give them a face—then I can squash them when I get hacked off), but I (quite literally) just received an email from Amazon reminding me that I need to upload the final files for ‘Episode Two’ by October 2 to ensure everything is ready to meet the pre-order.

little red demon from openclipart

Credit: global quiz
This one can be Panic

o.O I have to be ready by then. If not I’ll lose my pre-order privileges as Amazon would take that to mean I’m not reliable as a publisher. I can’t afford to let that happen as pre-orders are part of my marketing strategy (such as it is) and are necessary for both me and Raven. So yes . . . I’m a little panicked.

The rational part of me knows there isn’t too much that needs to be done to the chapter. It needs further cutting and a bit of  clean, but I can’t remember the last time a scene was so hard to get right. And it’s just one scene.

But this is part of what it means to be independently published. There is always something that can be improved and always more you can do. But, to keep tweaking and playing and revising and editing means that a piece of writing will never be free. At some point I’m going to have to take ‘Episode Two’ kiss it on the cheek and let it go.

Obviously I want everything to be perfect. I want it to be excellent. I want my work to showcase my skill and wow millions of readers the world over. The fact is, I’m still learning. I’ll always be learning and all I can do, as I publish, is ensure that everything I realise is as good as I can make it at that moment in time.

‘Episode Two’ probably won’t satisfy me completely. But it’s already significantly better than ‘Episode One.’ It won’t be as good as ‘Episode Three’ and, frankly put, it will probably suck compared to ‘Episode Six.’ But that’s a good thing. It means I’m growing. It means I’m learning and applying new knowledge to everything I write. That, not perfection, is what it means to be a writer.

So yes . . . when I say ‘do an Elsa’ this is what I’m talking about.

let it go

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IY: Fantasy Creatures – Dragons – My Top Dragon Books


Wow . . . so this may be the shortest list ever!

The Hobbit – JRR Tolkein

I think this is the first time I encountered a dragon in literature. Or at least the first time I had an idea of how significantly the dragon was going to influence me. Smaug, as I mentioned last week, is my idea of how dragons should be. He’s mean, grumpy and greedy with a raging narcissism that makes Narcissus himself look like the most humble man alive. I love that he wears the gold he’s stolen and how he baits Bilbo so terribly while they speak. I know eventually the story gets one up on him, but I enjoy Bilbo’s encounter with Smaug even more than his meeting with Gollum.

A Song Of Ice And Fire – George RR Martin

This seems like a little of a cop out since the series isn’t finished yet and these (three) dragons don’t talk. But it isn’t just Drogon, Viserion and Rhaegal I’m talking about here. I have no idea were Mr Martin is taking his story (I have suspicions, but that’s for another day) but Daenerys herself must be part dragon, right? I love the way the Targaryen family is so tied up with ‘the blood of the dragon’ and how it is engrained in the very fabric of their identity.

The Deverry Series – Katherine Kerr

I thought I had finished this series only to discover a couple of weeks ago that there are another six books. WOOOOOOOOOOO! So pleased to realise there is more to go, but for the purposes of this list, I’m talking about ‘Act Two’ of the Deverry Cycle (A Time of Exile, A Time of Omens, A Time of War and A Time of Justice—I believe the last two have different names in the USA). Characters we have met and know well from ‘Act One’ of the series reappear further along in the timeline and work together in various wars while hunting for dragons that most folk believe aren’t real.

And that’s it!

I know, three books (or series)?

It’s only through putting together this list that I realise how few dragon books I’ve actually read. I mean . . . I started Eragon, but stopped very soon when I became too enraged to see straight (more on that another time). I’ve had the Dragon Lance books shoved at me time and time again and just never got around to opening one. Similarly, if one more person mentions the Dragonriders of Pern I might just have to punch someone. I know, people! I’ll get to them eventually!

But I’ll readily admit: I’ve been so focused on vampires for so many years, that I’ve missed so many other wonderful fantasy creatures. Maybe next year I’ll set myself a challenge of reading up on different creatures?

Who knows . . .

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DSB: #LGBTQ Fantasy And Reviewers (#amwriting)


A couple of weeks ago Ileandra received a response to a request for a review on ‘Silk Over Razor Blades.’ It has taken some time for either of us to feel able to talk about it. Still longer for me to decide to put my thoughts in a blog post so I can explore them.

I shan’t name the reviewer or the site, but after the initial, enthusiastic decision to review the book, the reviewer came back saying they had enjoyed what they read so far, but would be unable to finish it because they felt uncomfortable reading certain sections of book; namely those featuring intimacy between Saar and Mosi.

To explain, Saar is the world’s first vampire (in Ileandra’s vampire mythos) and very early in his life as a vampire, he began (and sustained) an intimate relationship with a man he met in a brothel. Yes . . . a man. He fell for and subsequently spent long years loving a man as well as his first love, a servant in the royal palace by the name of Kiya. Together they formed a threesome that loved and fought as all those in intimate relationships do.

This reviewer didn’t like it. They felt uncomfortable. They couldn’t continue.

shrugging panda

Credit: ClkerFreeVectorImages

I’m not sure what to say. Yes, I know that some people are uncomfortable with homosexuality. Yes, know that is an individual’s prerogative to decide what they do and don’t want to read. Yes, I understand that sexual relations of any kind in a book labelled ‘urban fantasy’ can sometimes come as a shock (though less and less in contemporary fantasy if you read the current offerings out there).

I know all that. I get it . . . but I can’t help feeling a little hurt.

When I first read the email, I was livid. I couldn’t believe the words before my eyes and had to put my laptop down and out of sight. If I hadn’t, I know I would have responded in a way that was rude and utterly unprofessional. Having had (lots) of time to think about it and to be more rational, I’m glad that I took the time to calm down, because reacting in such a manner would have been terrible for this reviewer and for me. In the end, I thanked the person and asked how far they did reach before deciding it wasn’t for them. I have since continued discussion with this person and ascertained that they became uncomfortable early on in the novel and continued to read anyway, because they had agreed to review. More than a third of the book later, they then decided that they could no longer continue.

Had I sent my response when I first received the email I would never have come to learn how sorry this person was and how regretful. I also would not have the relationship we have now, in which we have both agreed that I may send something else to review in which homosexual relationships are not so prominent. That, I believe, is a plus for both of us and I’m glad I was able to curb my initial urge and act like the person I know myself to be: rational, calm and polite.

However, despite all that, I didn’t apologise for the discomfort.

Thinking about it now, I still think that was the right thing to do (though I’d love your opinion on that). I would have apologised if the site stated that they preferred not to read of homosexual relationships, but they didn’t (or I was unable to find such a disclaimer). Had I known, I would never have sent the novel in the first place—there are dozens of sites and reviewers I’ve rejected for exactly that reason—because the idea of requesting reviews is to target the people you believe will judge you favourably.

And, really, what am I upset about, anyway?

  • That the reviewer didn’t like my book?
    • No; because they did (until until discomfort took over).
  • That the reviewer didn’t finish my book?
    • No; this is the second time I’ve had someone tell me they couldn’t finish the novel and, frankly put, that’s a pretty good rate given the number of people who have now read it.
  • Because they can’t read intimate scenes between two men?
    • . . . yes.

And that is what made me pause.

I’m no stranger to non-traditional relationships. My friends range far and wide across the LGBTQ spectrum and I myself am bisexual. I have friends in non-monogamous relationships, poly relationships, traditional heterosexual relationships, utterly open relationships, asexual relationships, the lot. I consider myself lucky and privileged to understand even the little I do about sexuality and the way relationships can and do work. I’m proud that I’m able to see beyond the traditional and explore the different ways that different people are able to love each other.

Because my friendship group is as I’ve described, it’s always a bit of a shock to see/hear/realise that this isn’t the case everywhere. That some people really just don’t like or are uncomfortable with non-traditional sexual relationships. It slaps me like a wet fish. And, as described above, at first, it makes me angry. Then it makes me sad. Then it makes me thoughtful. Lastly, which is what has driven to me to this post, it makes me determined.

So this one reviewer was unable to finish my book because it featured a homosexual (or, in truth, bisexual) polygamous relationship. So, what? I like that level of diversity in my writing because it reflects the world I see around me and the world I’m part of. Moreover, I think it’s important to educate and showcase way things really are and show people that there is nothing wrong or abnormal about two people loving each other, no matter their gender.

I will continue to write fiction as I always have, featuring characters across the LGBTQ spectrum (I’m yet to touch on the T and the Q but give me time!) Some people will like it, some people won’t, but at the end of the day, who am I writing for, anyway? Yes, I’m producing a product with a view to sell, but I wouldn’t be able to give it life and soul if it wasn’t important to me and true to what I believe and feel.

What do you think? I’m kinda desperate to know that I’m not alone and to hear the experiences of other people and reviewers. Has this happened to you? How did you handle it? Do you think I should have apologised? Would you have sent a snotty email in my place? Join the discussion folks, I really want to know.

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RS: I Haz Planz 17/09/15


Not sure why I’m here at the moment. I’ve done noooooooooooothing! This will be the quickest post ever!

Actions Last Week

checking off feedback~Write 3,000 words of ‘Slippers & Chains: Three’ (that’s 500 words a day) Let’s try that again! ;-)
. . . moving on!

~Check in with Ravenink and choose alternate designer if she’s not around
She’s still not back. 😦 I really, really (REALLY!) don’t want to go with someone else, but unless I’m going to put off the launch until she gets back (and who knows when that is) I pretty much need to bite the bullet. I’ve chosen a designer. The brief is done and it’s in their hands now. I’m comfort myself by nothing that if I really hate it, DSB is getting loads better with cover design these days and that I can change it up if I really want to.

All hail the freedom of self publishing! ^_^

 Activities For This Week

  1. Write a piece of flash for my upcoming Smexxy Snippets series.

Thoughts . . .

lifted from openclipart.org

Credit: bitterjug

3,000 words is clearly too much for me to push out right now.

With Ileandra working so hard on her newsletter freebies and editing ‘Walking The Razor’s Edge‘, I need to admit that it’s still not my turn. Not really. I don’t think DSB was ready to make the switch.

But (!) a piece of flash is not beyond me. It’s short and punchy and, by it’s nature, something I can do quickly. Hell, I can even think about it while DSB is on the elliptical trainer or something.

Aaah, multi-tasking. Gotta love it! 😉

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RS: The ‘B’ In #BDSM – Part One, Tools ‘n Types


I suppose it would be kind to leave a warning here before you start. Many, if not all, of the links in this series of posts are totally NSFW. If you want to have a look, do, by all means, but don’t be surprised if you find naked boy bits at the other end . . . or girl bits.
Happy? Let’s go.

line break, swirling graphics, from openclipart

high heels and bondage tools

Credit: Espressolia

Okay! I mentioned last week that BDSM breaks down into three ‘bits’ (bondage and discipline, dominance and submission, sado-masochism). Today I want to chat about bondage.

In lay terms, bondage is the act of tying up a partner for mutual, sexual gratification. Sometimes it’s just because you like the look/feel taste of being tied or tying someone else. There can be links with the SM aspect of BDSM but not always. In truth, bondage is quite flexible in its rules.

Types of Bondage

I’m sure there are loads, but personally, when I think bondage, I break it down into three types: decorative bondage, punishment bondage and what I call ‘play-time’ bondage. There is crossover and overlap between these three, but they are pretty much exactly what they sound like. Decorative bondage involves tying someone up for the aesthetic, which can lead to complex rope patterns (sometimes called Shibari) and beautiful knot work. Punishment is primarily for the purpose of causing pain and/or discomfort, while ‘play-time’ bondage may or may not be escapable with a bit of wriggling. This form of bondage focuses more on the act of trust and the mutual enjoyment in both parties.

Tools of Bondage – Rope

heart made out of rope

Credit: PubliKado

Rope. Lots and lots of rope! Heh. Obviously not just rope, but this is what comes to mind the most when I think of bondage. Mostly those images of cuffs, bodices and full bodies harnesses made from nothing more than loops and knots. I really want to put some images in here, but I can’t do so without obtaining the copyrights or permission and very often people are reluctant to do so.

However, there are some great people to talk to, particularly about rope bondage. There is, of course, Wikipedia (if you trust that sort of thing), but there are dozens, if not hundreds of websites dedicated to tips and the safe usage of rope as part of a bondage session.

Tools of Bondage – Leather

Here we’re talking cuffs and shackles, all made out of leather. These are generally softer and more pliable, able to be worn for long periods of time. Collars, bracelets, belts, straps, harnesses. Some leatherwear is worn outside the bedroom or sexual situations, simply as a piece of clothing. Sometimes referred to as fetish wear, if you’ve spotted somebody wearing a collar/choker, a studded wrist band or belt you most certainly wouldn’t find on the highstreet, this is the sort of thing I’m talking about.

Not to say that anybody who likes/wears fetish clothing follows a BDSM lifestyle, simply that there is often a lot of overlap.

Anyway, leather restraints are more comfortable to wear—meaning sessions can go on for longer!—and can often have clasps or buckets to make them easier than rope.

Tools of Bondage – Metal

open handcuffs from openclipart

Credit: qubodup

If I say ‘bondage,’ do you think ‘handcuffs?’ I find this to be what people most commonly think of when faced with the idea of restraints. It’s certainly what you’ll find in places like Ann Summers.

Not particularly safe or comfortable, but the aesthetic is there I suppose. Though . . . for metal restraints, maybe the toys on this site are a little more exciting? Or this site . . . y’know for more intense toys.

line break, swirling graphics, from openclipart

Next week I’ll delve a bit deeper into ‘The B in BDSM’ by touching on the why?

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