RS: Guest Spotlight (Cover Reveal!) – Catherine Taylor


SINS OF THE MASTER

coverevealbutton_sinsofthemaster

The long awaited sequel to MASTER that begins where THE LINE TRILOGY ends.

In 1995, Jahn Zaleski left Ukraine and became Dylan Tyler, world renowned photographer and recluse, only seen by those chosen to serve him.
Nineteen years later, he has everything he needs to stay hidden from the world, but sex, wealth and technology won’t shield him from the memory of the woman he left behind. With origins forged in violence and death, Dylan knows that love can never be part of his life, and even those who call him Master must never know of the darkness that resides in him.
But others won’t let the past stay buried. Adele Easton is facing a long term in prison, unless she can prove that Dylan is more than what he appears. As secrets are uncovered, Adele finds herself ill-prepared for the Pandora’s Box she opens and the terror she unleashes.
Dylan becomes aware of the danger when troublesome ally, Mairead Vaughn, unwittingly becomes a player in a complex game of espionage, murder and vengeance. A problem shared is now a problem that is rapidly growing out of control, and the sins of the Master are about to be visited upon anyone he has ever cared for.

Sins of the Master is a standalone novel that is a sequel to Master, but takes place nineteen years later. The main character was originally introduced in A Line Crossed, the second book of The Line Trilogy. Master is the story of his past.

CATHERINE TAYLOR; sins of the master

Get it here:
Amazon

 

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IY: Mah Plans 28/09/15


I’m so sore. -_-

DSB has no mercy when it comes to being gentle and though the LARP was incredible, I ache in parts of my body that even the gym can’t touch.

Actions Last Week

~Beat ‘Dead And Alive: Episode Two’ and then . . . do an Elsachecking off feedback
. . . yup. It hurts and I kinda want to take it back to the group, but I can’t keep taking the same section. I’ve been far more brutal with it this time and shaved off another 300 words. I have to stop there—I have to. I know if I take any more, the prose will no longer sound like me. I don’t want that. Time to do an Elsa.

~Work through x5 chapters of beta comments
Only three, but one of them needed major tweaking which slowed me down. The relationship between Lenina and Shawn is clear now as is how it grows, but I’ve effectively rewritten 2,000 words of a chapter with the latest round of revisions. Can’t wait to rea dit through again. ^_^

~Let DSB enjoy the LARP
My plan is actually to discuss this next week with the next fantasy creature on my list so all I’ll say now is that the trip was AMAZING, the game was AMAZING, the experience is one I long to repeat for many, many more years. This is a hobby that is a veritable GOLDMINE of idea fodder and opportunities for character observation and study . . . it’s also great fun! ^_^

Activities For This Week

  • Go through thumbnails from DaveJ and choose final for ‘Walking The Razor’s Edge’ cover art
  • Work through x5 chapters of beta comments
  • Clean up ‘Episode Two’ and get it entered into both Amazon and Smashwords properly (BY WEDNESDAY).

Thoughts…

Given that Self Doubt and Panic were both so prevalent last week, at this moment in time I’m totally chilled and down with what I need to do. I’m looking forward to working steadily through my objectives and confident that I can meet them all.

. . . which is a nice result of the LARP I think! Maybe DSB really should go more often.

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IY: Fantasy Creatures – Dragons – ‘What Came First . . . ?’


Given how long it took me to get this story down I’m stunned I have as much as I do. so much for ‘a piece of flash fiction’. This is a 2k+ piece of free writing that, without a doubt, is going to be used at a later date. I already have a sense of where the scene can fit into a wider story, I love it.

Anyway, enjoy!

Lying to Mum was stupid. She always knows, even if it’s just a small thing like not cleaning my teeth.

I hold my hands tighter behind my back and move closer to the cupboard. If I could just get it back before she sees. But she’s standing right in the doorway, near the edge of my bed and I know it’s already too late.

“I’ll only ask once more, Adrian.” She has that scary look on her face. The one with the tilty eyebrows. “What are you hiding behind your back?”

I hold out my hands, scrunching my eyes shut in preparation for the explosion. It doesn’t come. Instead Mum makes a weird little squeaking noise. “What is that?”

I open my eyes again. She’s sitting on the end of my bed, touching her throat. Her fingers are shaking a bit.

“It’s an egg.”

“I can see that. What is it doing here?”

“I found it.” I can tell by the way the tilty eyebrows twitch that it’s not the right answer. But I don’t really know what else to say. I did find it, at the edge of the hen coop with a bunch of other eggs. It’s not my fault that this was so big . . . And black.

Mum stops grabbing at her neck and marches out the door. When she comes back, it’s with one of Dad’s hammers. The big one with the claw at the end. “Give it to me. We’ll deal with it now.”

“No!” I grab the egg and rush across the room. It’s hard to move with the egg—it’s so big and really heavy now—but I can’t let her. Not after all this time. Not when I’m so close to seeing what’s inside.

“You don’t know what you’re dealing with son, we have to get rid of it before anyone finds out.”

“But you can’t. I’ve been looking after it.”

The hammer falls on the floor. Mum’s fingers are doing that twitchy thing again. “How long?”

No point lying any more. She’ll know. She always knows. “Six weeks.”

Mum pulls on her hair, making the curly bits stretch straight. “You’ve had that in our house for six weeks? Are you mad? What if the priests saw? Or the patrols? What do you think they’d do to us? They already took your father, I can’t just—” She bites her lip.

Now I feel bad. I didn’t mean to make her cry. I didn’t even think about the patrols. I just wanted to do the right thing, like Dad told me. “Greatness isn’t doing extraordinary things, it’s doing extra ordinary things.”

“Oh, Adrian . . .”

“I wasn’t trying to do anything special, Mum. But the egg was so big, the hens wouldn’t sit on it. I wanted to help the baby. I had to make sure it was okay. If I didn’t take it, it would have died.”

Mum slides off the bed and shuffles over to me on her knees. She does it really fast, but the look in her eye makes me thing it’s not a bad thing. And the tilty eyebrows have gone. “You’re such a good boy,” she says. “Did I ever
tell you that you look just like your father?”

I don’t look like Dad, not really. He’s got hair like the same colour as straw, thin and scraggly. Mine is red and spiky with this one wavy black bit near my right ear. It makes me look like a log on fire. But I know it makes Mum feel better so I just nod.

She looks at the egg.

I look at her.

“You did a grand, noble thing, Adrian. But that egg has to be destroyed before it hatches. And nobody can know it was here, understand? No one.”

I wish I understood why she’s so upset. I’ve never seen her like this before.

“Adrian? Promise me. Does anyone else know?”

“Nobody. I didn’t even tell Flinn.”

She blows a big breath through her mouth that makes her hair fly all over the place. “Good. Give it to me.”

I do.

My hands feel really cold now the egg is gone. I rub them together but it doesn’t help. My stomach feels full of worms as takes it on the egg and puts on the floor. When she picks up the hammer the worms become snakes.

This is wrong. I can feel it. No matter what the patrols say.

Six weeks. Six weeks of sneaking out early to do my chores, making sure the animals were fed and clean so I could come back to keep the egg warm. To talk to it. To hold it.

I hate crying. Flinn always tells me that only babies cry, even though I’m three months older than him. It’s a good thing he can’t see me now.

Mum holds the hammer above her head. “Don’t look, Adrian.”

I don’t want to, but I have to. I have to see the thing inside. I have to know if my guess was right.

Crack.

Mum scrambles back, still holding the hammer. This time she doesn’t touch her throat, she grips her chest as if she can’t breathe.

Crack-crack.

The egg. My egg. There’s a big crack down one side, stretching across the glittery black surface. It gets bigger as I look.

“Mum?”

“Come to me Adrian. Right now.”

Crack Crack-crack-crunch.

“Now! Come here. Don’t let it see you.”

Crraaaaack!

A huge piece of shell shoots off the side of the egg. A big fat foot pokes out. It’s pink. Covered in tiny soft scales, like a chicken leg but shinier. Almost like metal. It also has claws on. Like a lizard.

Mum is waving now, trying to get me closer, but it’s too late. I have to see. I drop down to the floor and crawl up to the egg, watching the shadows shift inside. More flakes of shell come away. I’ve never seen a chick struggle this much to get out of an egg before. And it’s so smelly. Like the inside of Master Kenna’s forge or the outhouse after Madam Hallie serves pickled eggs in the tavern.

“Adrian!”

The rest of the shell breaks apart as the thing inside stretches: two big wings covered in slimey green muck. They’re so weak, pink again, but a different shade to the foot. Rose instead of copper. A tiny head on the end of a long skinny neck and three more feet to match the first one. The tail is long, like a whip, with a big spike on the end. Also pink.

I know what it is. I want to say it, but the word is stuck in my mouth

I watch the thing pick itself up, turn and open it’s eyes. It looks at me. The eyes are the colour of the shiny gold coins that the priests use. They make me want to run. But I don’t. I can’t.

The creature picks shakes the last few pieces of shell of it’s back and walks forward. It moves easily now, like it always knew how to use those four skinny legs. The pink claws make big scratch marks on the floor, curling shreds of wood as easily as cheese. It swings its tail.

“Ow. Hey, it cut me.”

Mum is standing up. I don’t think she even remembers the hammer is in her hand. She runs forward, but the creature has already pulled back the tail and turn to lick gently at the cut on my arm. It growls. Then . . . Purrs. Like a cat. Something warm and furry seems to roll over me, like a big blanket on the inside of my body. It starts at my toes and goes all the way up until even my forehead is tingly.

“No . . .” Mum grabs my arm and turns it over. Shakes her head. She’s crying as she strokes the star shaped cut on the inside of my wrist. “It marked you. I’m too late.”

“What does it mean?”

She strokes my hair, playing with the little black section above my right ear. “You were the first human to meet its gaze. It marked you as an equal.”

“I don’t understand.”

“It’s your dragon now, Adrian. It belongs to you . . . Or, you belong to it. Nobody really knows which way round it is.”

Now she’s said the word I know I can say it too. It’s not so scary now that Mum has done it. “Dragon? It can’t be a dragon. Dragons are forbidden fauna.”

As if to argue, the dragon crawls across my knees and puts its head in my lap. Small puffs of smoke curl out of the big, flared nostrils. It’s warm. And heavy. My knees start to hurt.

“Dragons are forbidden to all but the dragon riders of Aostin.

I snap my mouth closed before Mum makes a joke about me catching flies. A moment later it opens again. I can’t help it. “Dragon riders? They’re a myth. They’re not real. Are they?”

Mum stares at the dragon snoozing in my lap. She looks really pale. “I think it’s time we talked about your father.”

I don’t like the way she says that. “Why? Are the priests going to let him go?”

She shakes her head. “Not Jerrin, though he raised you and loves you like a true father should. No, I’m talking about your real father. Ragdar Redwing.”

Now I know she’s crazy. Or this is some sort of dream. I know Ragdar. Everybody does. He’s the best and most famous of all the dragon riders in the stories. He’s their king.

“Mum—”

She shakes her head at me. “Come down stairs. I have something to show you. And you’d better name that dragon too.” She walks away, shoulders all hunched up and high near her ears.

The little pink dragon tilts its head at me. It feels like it’s waiting for something.

“Millie?”

The dragon snorts.

“Belle?”

Another snort, plus a puff of smoke.

“Anabelle?”

The dragon dives out of my lap and spins around. Tiny jets of orange fire come out the mouth. I can see the teeth as it shows off in front of me, long and sharp like knives.

“Oh! But . . . You’re pink. I thought you were a girl.”

Another stern look. More smoke.

“Fine. What about Hern or Hobb? Jan?”

The dragon stomps through the remains of it’s shell, shattering the fragments into even smaller pieces. Before I can catch it, it hops onto the bed and shreds my blanket with it’s claws, sending small scraps of wool flying in all directions

“Hey!”

Pillows next. Soon a cloud of feathers spins through the air. I’m choking, coughing, trying to find the tiny creature that tears up all my best toys and tools like a whirlwind.

“Fine, fine, I’m sorry! You’re making a mess, please stop. Please!”

The dragon freezes, jaws clamped tight over the head of the wooden horse I just finished whittling from an old hunk of oak. It waits, golden eyes gleaming.

“Would you look at this mess. You’re crazy. How am I ever going to clean up this chaos?”

The red patch of skin on the inside of my wrist burns as though pressed against a fire. It yelp and dance around, but the pain doesn’t last long. When I look again, the skin is mostly healed, but a small symbol gleams beneath it, red like a ruby.

I look at the dragon. It glares back.

“Chaos? You like chaos?”

A small puff of white smoke dances from the nostrils.

“I like it too.” When the dragon releases the horse it lifts it’s wings and shoots into the air. One quick circle of the room and then it’s back, landing on my shoulder like a big, scaly sparrow. “Fine. But we’re going to spell it different, like what Finn did with his horse, Xang. We’re going to use a ‘K’ instead of a ‘C’. It will sound the same, but we know it has an interesting spelling.”

Khaos yawns and curls his tail gently around my neck, the barbs close to the side of my throat. I should be scared, but his weight is warm and comfortable and I don’t think he wants to hurt me.

I pat his back. The scales are hot and smooth beneath my fingers.

“Khaos the dragon. Yes . . . I think that’s about right.”

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RS: I Haz Planz 24/09/15


Moving shifty eyes from left to right

Actions Last Week

~Write a piece of flash for my upcoming Smexxy Snippets series.
I have it drafted. I guess that counts, right? Though I was expecting to at least manage some editing on it. Aaah well.

 Activities For This Week

  1. Edit the flash for my upcoming Smexxy Snippets series.

Thoughts . . .

checking off feedbackYeeeeeeeah. I think trying to do more than that right now will blow my head of. Plus, DSB is actually nowhere near home or a laptop right now. She’s in Merthyr Mawr, preparing to be an elf for the weekend. So I don’t really get much say in the matter.

Not that I mind. It’s great to switch off for a bit. ^_^

Right now, she’s probably stuffed with carvery meat and debating a delectable dessert from the selection before preparing to head back to the tent and watch the stars . . . pending rain, that is.

If you ask me, that’s a great way to spend a weekend.

Back next week! 😉
Oh, and probably Saturday as I think I have a review to share too.

OH!!! And before I go, GREAT NEWS!

Ravenink is not only back, but she’s already hard at work on the ‘Second Base’ cover. Phew. I was freaking out about that so much that I can’t believe I forgot, but it’s looking good. We’re back on track and I still, just about, expect a November release.

happy dance gif from The Office

Yeeeeeeeeeeeeeeeeeeeeeeeeah!

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RS: The ‘B’ In #BDSM – Part Two, But Why?!


I suppose it would be kind to leave a warning here before you start. Many, if not all, of the links in this series of posts are totally NSFW. If you want to have a look, do, by all means, but don’t be surprised if you find naked boy bits at the other end . . . or girl bits.
Happy? Let’s go.

line break, swirling graphics, from openclipart

girl in purple asking questions

Credit: scout

So we’ve established some of the tools used in bondage. Be aware that the list I gave you last week is by no means exhaustive, and that there are tonnes more things you can use (though I don’t think anybody in the know really recommends cable ties). Scarves, ties (like neck ties), hair bands, chains . . . there’s all sorts to play with, but what is the thrill behind getting tied up? Or in doing the tying?

What is it about bondage that brings people back to it over and over? That generates books and films and toys worth billions of pounds? Well . . .

Being Tied

Well . . . let’s try an experiment. Close your eyes. Imagine the sexiest person you’ve ever known is right beside you and intent on doing all manner of things to pleasure themselves and you. Nice right? 😉 Anyway, once you have that clear in your head, put your hands behind your back and touch your wrists together. If you really want to feel it, loop something about your wrists, like a scarf or a hair band—don’t hurt yourself (!) but give yourself the pseudo-sensation of being restrained.

Now just sit there (or stand). How do you feel? Where is your mind taking you? What sort of devious things might the uber-sexy beast you’ve imagined decide to do to you? And can you stop them with your hands positioned as they are?

. . . some people feel nothing from bondage. It’s just not their thing. For others, it can be pleasurable for any number of reasons, including but not exclusive to:

  • The sensation of restriction is pleasurable
  • Relinquishing control of pleasurable/cathartic/relaxing/freeing
  • Knowing someone else is responsible for your pleasure
  • Playing about with a taboo or fetish is fun in of itself

Doing The Tying

But what if control is important to you? What if the idea of being at the mercy of another person fills you with fear rather than pleasure. Or what if, you simply don’t like the feel of leather on your skin?

Try this experiment: imagine that the same super-sexy person is waiting for you to do something to them. That they trust you enough to let you restrict their movement (and in some cases their sight and/or the ability to speak!). Now imagine that—pending previous consent from both parties!—you are free to do whatever you like to bring about pleasure for yourself and that person.

For some, tying up their partner is about the control inherent in the act. For others, the thought of being able to bring about pleasant feelings for themselves or another is the key. As I mentioned last week, for some it may simply be to see the end result: a nice harness or belt formed of knot work.

There is a lot of trust involved in this activity. From both parties. In the case of the person being tied (usually a submissive/bottom/slave) trust is in the form that they won’t be hurt or mistreated. For the person doing the tying (dominant/top/master) they trust that their partner will be honest and self-aware enough to let them know immediately of any problems or if something becomes too much to take.

Next week, I’ll talk about the where.

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